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8458 Posts in 1523 Topics by 1842 Members - Latest Member: kkkiii
There are some photographers who are just pressing a button. And then there are the others who see the world in a very different way...
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Author Topic: empathy/apathy  (Read 1173 times)
David Procter
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« on: September 09, 2006, 12:16:04 PM »


I'd really appreciate some feedback regarding this picture of myselves. I'm trying to process things in different ways and you're really not sure about your ideas until you share them - you know how it is! Thank you.
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David Procter
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« Reply #1 on: September 14, 2006, 07:13:43 PM »

Thanks for the feast of feedback one and all!
I'll guess I'll stick to taking pictures of tuktuks and maybe the odd monk!
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gregoire
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« Reply #2 on: September 14, 2006, 10:29:47 PM »

Pictures of monks and tuktuks go up against a certain set of preconceived aeshetic ideals that make their critique easy, if only to say, "great shot, nice colors." In short, we can all tell a good postcard shot when we see one.

Now, if you're charting out a new territory and developing your own style, you need a body of work before it can make sense to your viewers. If Jackson Pollock or Picasso lay one of their paintings before you, and you had never seen anything painted by either one before, and they asked you for a comment, I think you'd find it quite hard to "get it" and come up with constructive feedback.

So don't give up just cuz we're quiet, keep posting, and don't rush people to comment.
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David Procter
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« Reply #3 on: September 14, 2006, 10:54:14 PM »

hehe!
I know, I know...
a childish rant.

Thanks for the voice of reason!
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bjorn slis
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« Reply #4 on: September 15, 2006, 08:21:37 AM »

A Picasso it's not (yet) but I like the experiment,
somehow (don't ask me why, reflection, symmetry etc.) for this kind of thing I would use a square format.
I really don't understand the title though.

 
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David Procter
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« Reply #5 on: September 15, 2006, 04:36:27 PM »

Thanks for your comment Bjorn.
The square crop is an interesting idea and I'll try it.
The title relates to the duality of expression.
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